This Poem

This Poem

by Wesley McNair

Before the age of doing
and photographing and filming
and texting what you did,
back when people simply did,
a girl got married at seventeen,

recalled tonight under lamplight
in an Ozark farmhouse by my old,
widowed Aunt Dot, the woman
who once was her. There were no
photos of the girl as she waited

in the truck with her first
two babies for her husband
to come out of the bar
until it was dark, and then
in the dark. Nobody filmed him

at the screen door of the kitchen,
waking from the spell
of his anger with a lead pipe
in his hand saying, “I believe
I killed that cow,” or filmed her

stepping between his fists
and her son on the night he broke
her nose. Literal, plainspoken
and sorrowful, Dot seems
to find her, the poor young girl,

married for life, and him, my uncle,
the good old boy everyone loved,
including me, in the shadows
cast by her lamp and chair,
just the three of them there,

and me, and the small,
hand-held device of this poem.

our most basic imperitive

After Our Daughter’s Wedding

by Ellen Bass

While the remnants of cake
and half-empty champagne glasses
lay on the lawn like sunbathers lingering
in the slanting light, we left the house guests
and drove to Antonelli’s pond.
On a log by the bank I sat in my flowered dress and cried.
A lone fisherman drifted by, casting his ribbon of light.
“Do you feel like you’ve given her away?” you asked.
But no, it was that she made it
to here, that she didn’t
drown in a well or die
of pneumonia or take the pills.
She wasn’t crushed
under the mammoth wheels of a semi
on highway 17, wasn’t found
lying in the alley
that night after rehearsal
when I got the time wrong.
It’s animal. The egg
not eaten by a weasel. Turtles
crossing the beach, exposed
in the moonlight. And we
have so few to start with.
And that long gestation—
like carrying your soul out in front of you.
All those years of feeding
and watching. The vulnerable hollow
at the back of the neck. Never knowing
what could pick them off—a seagull
swooping down for a clam.
Our most basic imperative:
for them to survive.
And there’s never been a moment
we could count on it.

If You Forget Me

If You Forget Me 


I want you to know
one thing.

You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.

Well, now,
if little by little you stop loving me
I shall stop loving you little by little.

If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.

If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.

But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.

Pablo Neruda

Love After Love

LOVE AFTER LOVE

     By Derek Walcott

The time will come
when, with elation,
you will greet yourself arriving
at your own door, in your own mirror,
and each will smile at the other’s welcome,
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.

Scars

“Scars,”

 William Stafford


They tell how it was, and how time
came along, and how it happened
again and again. They tell
the slant life takes when it turns
and slashes your face as a friend.

Any wound is real. In church
a woman lets the sun find
her cheek, and we see the lesson:
there are years in that book; there are sorrows
a choir can’t reach when they sing.

Rows of children lift their faces of promise,
places where the scars will be.

A World of Singers

A World of Singers

by Ralph Stevens

We live in a world of singers
and the song is loud or soft, sweet
or shrill, sometimes silent. But listen.
With a storm approaching someone
shelters a robin’s nest.
Another whistles to a black dog on the beach.
One laughs to herself, reading alone in the kitchen.
In the woodlot someone grunts as he swings the ax.
There’s the sound trees make
after the wind stops and there are those
who look into the eyes of nurses
coming off the night shift,
those greeting the undertaker when he arrives
with his unique instruments.
A man has just argued with his wife.
Now he stands alone on the dark porch,
watching the rain. One hums at the workbench,
carving a delicate bird (last night she
groaned with relief after a phone call).
One sighs as he imagines Odysseus
tied to the mast, and one
looks up when a bell rings
and a customer enters his shop.
One is astonished hearing the fox
bark its own peculiar song and one
just stands on the rocks,
listening to the sea.

...sometimes

“Tonight I can write the saddest lines
I loved her, and sometimes she loved me too.” 

― Pablo Neruda