Friday, July 05, 2024

A Greg Story







     
     I would like to begin by repeating one of my favorite stories from Sheehy lore. It involves a teenage Greg being lectured by his depression generation father who was hammering him on the necessity of hard work and sacrifice. The wise fifteen-year-old Greg lowered his eyelids like Ricky Nelson and told his Dad  “I’ll find an easy way.”  Imagine if you will, the face of the old,  World War II vet and man who got up a 4 am to go to work when he heard those words. Looking back from this sad day, however, I think the kid may have been right. Or maybe it was just that Greg made it look easy. However, as a song he liked says.

“All good things have  got to come to an end.

All good times, all good friends

All good things have  got to come to an end.”

      Going forward without Greg seems impossible to me since he has been my treasured friend literally since I was embraced by the Sheehy family in South Gate more than seventy years ago. Remember that the bond between our two families was forged before either of us were born. My Dad was Greg’s godfather and Greg’s Dad was my much-loved mentor. I loved him like a brother. This bond knew no boundary, it followed from Annetta,  to McNerney, Seminole, Midvale, San Francisco, Veteran and Ohio, Palm Desert, Church lane, Club Virginia, Lemon Grove, the Dump house, Tremaine, Holly Knoll, Dillon, Lavell drive and finally to Francis avenue. We also had special places away from home in section C of the coliseum, sitting in Lawry’s cozy booths listening to Christmas carols, annually gathering as a dozen fans in the reserves at Dodger stadium, on Orchestra east at Disney Hall or playing ball on dusty old diamond 2 at South Gate park. We both loved Downtown and one of his favorite gigs was delivering flowers for his Uncle Johnny Tassano for the Athletic Club Flower shop. Even when he wasn’t working he did ride-a longs with Cousin Kevin. The man loved LA with no apologies.

     Greg was a superb storyteller; about half of my best ones, I stole from him. The great part of his gift was his appreciation of the small moments in life that make it delightful. The heroes of his stories were not actors or athletes, but they might be a sincere panhandler, his elderly aunt, the guy  next to him at a ballpark urinal or his black sheep Uncle Al. What people might think was mundane Greg made wonderful in the way he described an experience. That might include the way another Uncle tamped a lucky strike on his thumbnail or how a retired professor from Metcalf Road described the birth of Loon chicks with big vodka tears in his eyes. My dear friend had the soul of an artist. In another life he could have been an actor in Summer stock or a cast member with a solid baritone in any musical. He had an uncanny knack for remembering dialogue and he could recite the entire “Fall of the House of Usher” by Edgar Allen Poe word for word. Not only word for word but in the exact recreation of Basil Rathbone’s version we listened to  on records borrowed from the library. He had fine voice that was used to belt out the best of Rogers and Hammerstein without flubbing a line. He just adored Dick and Oscar. He often prophetically crooned the last stanzas from Carrousel “Walk on, walk on/ With hope in your heart/ And you'll never walk alone.”  

     No one could imitate the unique speech patterns of my Dad or describe the idiosyncrasies of his own father with affection like this good son. The deepest and most sad part of his early departure is the loss of a treasury of wit and knowledge possessed by this extraordinary teller of tales. But…“We’re all immortal, as long as our stories are told.”  Despite his earthy demeanor he was a cultured and sophisticated gentleman who knew all about literature, music, and the theater. Yet, he also knew how to curse like his father at the failures of his heroes on the gridiron or diamond. More than anything he was the best friend you could ever have, and all here knew his warmth and generosity. He was not always warm about the rest of the world and was astoundingly critical of the Little League world series, Quentin Tarantino, other drivers, Father Gregory Boyle, Fathers and Mother’s Day and the hot mustard at Phillippe’s. He was not an animal guy except one best pup named Clairie who won him over.

Greg was a perfect match with Lissy. The luckiest day of his life was a forlorn Saturday when he decided to go to MOCA and found the love of his life. They both hit the jackpot in a gallery full of fine art. After a casual courtship they swore to share their lives for “better or for worse” and up  until the last year it was better and better. Lissy completed the man. If it were up to him he probably would have sat in his chair drinking red wine and watching PBS forever, but she got him up and visiting museums, attending concerts at Disney Hall, going to an occasional movie, playing golf, and travelling on airplanes like most people run to the market. He also did go to the market, Vons that is. He was a very skilled cook and was as good as it gets at roasting and carving meats and making mashed potatoes. Vegetables…not so much. He took great pride in his grilling skills and provided many a fine barbecue on the beautiful patio at Francis. He made a glorious potato salad in the tradition of his Mom. The secret was plenty of mayo. His medium rare rib-eyes were legend at the Opening Day post-game feast. He never ate dessert, preferring to get his sugar from whiskey I guess but boxes of See’s candy were often seen around the house. Lissy would give advice and he would plow ahead on his own course like an ocean liner. This couple created a wonderful life for their two extraordinary children and offered more happiness in the home they designed than anyone I have ever known. My heart feels like a cannonball thinking of those times when they rescued me from loneliness and sadness. Greg was my lighthouse when the sea of life got rough.

He had little ego for a man who was so learned and accomplished. He did not waste time on junk social media or television, but he did on computer solitaire and Law and Order reruns. He never tweeted, had no Facebook, did not know a Tik Tok from an Instagram but thoroughly read three newspapers each day. He was astute when it came to politics and was a proud liberal Democrat. He had  very strong opinions not suited to this gathering. Greg spoke to the television when he watched the news and often cursed like his father before him. If you took a drive with him you would probably hear the word “asshole” more than once or maybe worse. I believe every driver he cursed or flipped off deserved it, but he was my best friend, and I am prejudiced. Greg probably holds some kind of record for the most times threatening to kick somebody’s ass without ever throwing a single punch. He played a role that made us laugh but did truly disdain false emotion. He did not own a pair of jeans, never wore a t-shirt as an outer garment and was very fond of wicked-good slippers from LL Bean. In many a photograph you will see his glasses case in his front pocket.

 He loved social gatherings and was an excellent, engaged listener. He made every such gathering better with his presence. Plain and simple he was my favorite company for an entire lifetime.

For decades I visited him on Francis, and we listened to songs and sipped wine while going on and on and on about the old days in South Gate. We had a recurrent theme of  our existence as part of what John Cheever called “The glittering and stupendous dream. “  He put aside regrets or worries and let gratitude flow out for the place he had found himself at the end of his “easy way.” Late on those nights he might quote his literary idol Fred Exley “pouring out the dark, secret places of his heart .”  We did not need to fret about being judged by each other and bore our longings and dreams along with a deep gratitude for the great fortune we happened into when we were brought home to our families on Annetta avenue in  South Gate. We had wonderful childhoods and it made us soft in the heart despite the transparent curmudgeons we pretended to be. Our common theme for this fortunate journey is what Maya Angelou called “the rich tapestry of life” comprised of threads good and bad that must be included in the big picture. With the gold and silver threads of love and birth there were the heartbreaks and grim reality of our inevitable deaths. The rich tapestry was subject to the stains of living and the tears of loss. Today there is a prominent and tear-stained black thread present. We sometimes sat in silent thought together pondering the mysteries of mortality and mourning for Ed Carroll or Tim Balderama. Our fathers died weeks apart and his gentle understanding made the profound loss bearable. That terrible void has now come to be profoundly personal.  

So…

As a lonely swing-shift whistle echoes across South Gate park.

We will find that box at the Rose Bowl will be a little lonely for Bruin games.

The kitchen at Francis will no longer host his meticulous preparations.

The empty leather chair bearing his imprint  will lack that boisterous laughter and shouted curses.

The stars won’t shine as bright in the night sky over squam lake.

And our hearts will ache from time to time.

but his legacy and the stories will live on

Sunday, June 23, 2024

Black Postcards

 



Black Postcards

by Tomas Tranströmer



The calendar is full, future unknown.

The cable hums the folk song from no country.

Falling snow on the lead-still sea. Shadows

wrestle on the dock.
.
In the middle of life it happens that death comes 

and takes your measurements. This visit 

is forgotten and life goes on. But the suit is 

sewn in silence.

Thursday, March 21, 2024

Letter to Leo



 A letter to Leo

Preview

 

    

Anyone who has looked at a blank page or screen after losing the product of inspired work knows the misery of trying again to reconstruct the blood, sweat and tears once held in the vanished pages. It is said T.H. Lawrence left a 250,000-word manuscript in a train station and never got over it. To truly recover, an artist must perform one of the most difficult tasks of creation. Such is the case of “Letter to Leo” being released by singer Perla Batalla who has chosen an eclectic and thoroughly beautiful handful of Leonard Cohen compositions as her heart-felt thanking of a dear friend and artistic inspiration. This is no rehash of the great songs of Cohen, who gets wiser and better the older any listener gets. La Batalla could have re-recorded the song list from “Songs of Leonard Cohen” and made it sound great, but she chose to dig way deeper. Perla Batalla stood on stage next to Cohen, rode airplanes and taxi cabs with him. She knew his heart and she never stopped loving his music and the man. After his frustrating, death Perla’s grief felt unfinished even after performing numerous tributes and making an  excellent album of her favorite Leonard Cohen songs, Her version of “Bird on the Wire” is so good even Cohen would admit she improved the classic song. Still, she had more to say and began work on a second record that was being  completed in Spain when the scourge of Covid enveloped the planet. There was no worse time for musicians than those dead years of 2020 to 2022 because the love of  music is wonderful, but audiences give the artists strength to get better.

    When singers and music lovers came out from under Perla returned to Europe to get back to producing the album and found the entire thing gone into the ether. No hard drives, no album, waves of inspiration and love put into lyrics vanished. The blood runs cold just to think about the moment of sick epiphany. If this were simply a project to make money any artist would have cried a lot and  limped home, but Perla still had something to say to Leonard Cohen and she refused to quit. Money was found because the lady had made friends and stayed loyal to family for decades and the project began again. The work is dedicated to the great record producer Hal Wilner, which is appropriate since the production here is simply transcendent. Of course, the musicians are superb and are drawn from all genres and Perla Batalla’s voice has never been better. Yet,  they are put on a magical platform. Technically the sound is clean, and the lead vocals are never crowded or cluttered. What elevates this work is the amazing variety of sound which goes from down to earth folksy to orchestral majesty.

The opening  “Awakened” is sweetened by strings and  is lush and lovely. “A Thousand Kisses Deep” is flamenco flavored that works within the self-deprecating lyrics “you win a while and then it’s done your little winning streak / and summoned now to deal with your invincible defeat” “Democracy” is poignant for today’s puzzling threats to the same. The mixture of gospel and a rap hybrid works perfectly. The backup of Patrick Page will give you goosebumps on goosebumps. “Sisters of Mercy” just shimmers with the clean piano of Luis Cartes Ivern and the mother-daughter combination vocal keeping the classic quality of this great song. “Everybody Knows” is just a song they should play in classrooms instead of removing books. Here it is elegiac and true to Cohen’s original intention. “Aint No Cure for Love” is the surprise of the album, percolating and upbeat it could be Lesley Gore singing but it is a sunny Perla Batalla. This song is typical of the true studio crafting of this once in a lifetime collection with texture and depth. “The Partisan” is brilliantly set up with an oud solo by Dimitris Mahlis  preparing the listener for dark and foreboding tale of resistance to evil. The oud interweaves with Batalla’s urgent vocal that turns to the original French in the last stanzas. This song from Cohen’s second album reverberates all the way forward from 1969.

“You Want It Darker” is from the later part of the Cohen legacy that becomes more interesting the older I get. The sound here is darker too with slide guitars and a thick bass. If this truly was Maestro Cohen’s last song, he had lost nothing to old age. “The L in Your Name” is just a pure love song from Perla to Leo. I cannot imagine following this song and when the concerts begin, I would assume it would close shows. There will be tears from Sheila. “Take This Waltz” is yet another turn toward a different sound within the album. Mixing Steve Bernstein’s trumpet with Spanish guitar and flamenco clapping La Batalla’s formidable pipes and angelic backups make this a poem set to music. Last “A Singer Must Die” is an art song in the milieu of Kurt Weill. It seems to me it is about taking that chance and telling the truth of a story which Leonard Cohen did in hundreds of wonderful songs. Perla Batalla reminds us all that this truth has no end.

Wednesday, December 06, 2023

Speaking of....

 


I have been the featured speaker for these events and organizations


Libros Schmibros at the Hammer Museum shared with J. Michael Walker

Professional Journalists Association

Los Angeles Festival of Books on a panel 

Los Angeles Archives Bazaar

Los Angeles Public Library Best Friends

Los Feliz Arts and Architecture lectures 4 times

Los Angeles Geographers Association

Los Angeles City College

California Library Association 

Google at Santa Monica

California Map Society twice

Los Angeles Corral of  Westerners

Western Association of Map Librarians

Board of Library Commissioners

Los Angeles Library Foundation- the Committee

Waverly School 4th graders

Crossroads School 7th graders

Los Angeles Natural History Museum

Mt. Washington  Homeowners Alliance

Glassell Park Improvement Association twice

Whittier Genealogical Society

Torrance Genealogical Society

Bruckman Award at the Los Angeles Athletic Club

Southern California Genealogical Society twice

Palos Verdes Historical Society Sherman Library

Urban Rancho at  Sycamore Grove

Los Angeles Breakfast Club

Hollywood Heritege Museum

Fullerton Public Library

Aloud at Central Library

The Chapparal Club

Little Landers Society 

Eagle Rock Historical Society

Los Angeles Public Library Docents 


protein acids ticking

 



"Young as I am, I can hear in myself the protein acids ticking; I awake at odd hours and in the shuddering darkness and silence feel my death rushing toward me like an express train. The older we get and the fewer mornings left to us, the more deeply dawn stabs us awake."- "the lifeguard" by John Updike

the Land of Nod

 


The Land of Nod

Lisa Sewell

The night after she returned from the hospital 
the uneven rumbly liquid breathing of one soon  

to go under kept me at the surface of thoughts 
I couldn’t escape. Clonazepam, Lorazepam, 

not even Ambien could pull or sink me. And in the morning, 
sure enough, we couldn’t coax or shake her awake  

except for a few seconds when someone or thing  
wrenched her eyes open and let her answer no 

to every question in a scornful voice we’d never heard before 
before pulling her down to that rocky undertow. 

Through the morning and afternoon every breath, 
a grunt, a rattling that soaked the bedclothes and pillows in sweat. 

Then at 3 pm, she returnedrecognizing her two daughters 
speaking her own name and the name of the president. 

The hospice nurse put a line through the word “Comatose” 
scrawled at the top of her chart and for the next few hours 

a light or absence seemed to emanate from her almost 
emptied irises. No sentences. No speech as the white  

nimbus of hair, thick and lively around her head 
nodded yes to sitting up and getting dressed— 

to sweet potatoes and Jeopardy! as though part of her  
remained in that rheumy underwater place 

that took her breath away and wiped out the syntax  
of explanation and inquiry, leaving only 

no I won’t and certainly not and don’t ever wake me up again

Sunday, October 22, 2023

A ticket

 

"It makes you appreciate each clear-headed day we are given but reminds me that all the E-tickets are gone and it is just the Main street trolley ride left. No more will we gaze from the prow of the Mark Twain stern-wheeler and wonder about love and adventure...It is 11:45 and Disneyland closes at midnight...Yet, we rode all the rides, smoked hash on the skyway to Tomorrowland and staggered for balance in America the Beautiful. We used up tickets E, D,C,B and cling to the soiled A, the last laughs. It is just the parking lot and real world waiting."

- Glen Creason unpublished manuscript

Saturday, August 26, 2023

old age

 


Old Age

Maxwell Bodenheim

In me is a little painted square
Bordered by old shops, with gaudy awnings.
And before the shops sit smoking, open-bloused old men,
Drinking sunlight.
The old men are my thoughts:
And I come to them each evening, in a creaking cart,
And quietly unload supplies.
We fill slim pipes and chat,
And inhale scents from pale flowers in the center of the square . . .
Strong men, tinkling women, and dripping, squealing children
Stroll past us, or into the shops.
They greet the shopkeepers, and touch their hats or foreheads to me . . .
Some evening I shall not return to my people.

Sunday, August 06, 2023

Eileen

 


(read at meal of consolation after the services at Mt. Sinai)


Eileen-

 

    I confess I was worried when I heard Eileen Sever was going to sub in History and Genealogy in those golden times before Covid. I remembered her from my time at the West LA branch in the 1980’s as a force of nature when she ran a tight ship at Palms-Rancho. She seemed to me like a know-it-all with confidence to burn. It was rumored she could stand up to Penny Carr who scorched the behinds of many a branch manager as Principal of the Western region.

     It took five minutes into my first desk in History and Genealogy with her that by God she was a know-it-all in the very best librarian sense of the word. It is not that she had the personnel manual memorized or that she knew what all those databases did, but she knew the best way to be a reference librarian. Despite a mind like a steel trap, she was humble and gentle to the mixed crowd of patrons down on LL4. She nodded silently at those who thought THEY knew all the answers and then dug into books, vertical files, photographs, maps, newspapers and even card files. She then spouted citations proving the legitimacy of her answers. Eileen Sever with decades of experience asked lots and lots of questions of we veterans of the department. She even delved into Burke’s Peerage or the dreaded Army Map Service maps. She almost always started a reference interview by saying “that sounds like an interesting question” even if it was far from it. She helped the Antler Man, the Sultan of Brunei and Dr. Baker like they were visiting scholars.  She was born to do this job and her enjoyment in the chase for answers was infectious.  You tended to want to join in and throw in a clipping or random paragraph from somewhere just to be part of the Eileen show.  It was easy to sit back and watch her weave her magic when you were ten feet away trying to stay on your toes. If something proved her wrong, she laughed and made it right.

     It is impossible to calculate how many patrons Eileen sent out into the world smarter and more appreciative of our great library system. She enjoyed the desk so much she had to be forced to take breaks. Yes…a civil servant who refused breaks! She just did not want to miss anything. After 42 years on reference desks, I put Eileen in a select few of the master librarians I had the pleasure to serve with. Even this old dog learned plenty from her dedication. I am speaking for all the lucky staff who shared my department with her. That includes librarians, library assistants, clerks, messenger clerks, security officers and custodial folks who she treated like her equals.

The best part of her service is that she loved doing it and indeed one of the last sentences I ever heard her say from her hospital bed was “I love questions.”

     Lastly answering questions was not everything wonderful about Eileen Sever. We never really saw her as the little old lady librarian. She knew where all the bodies were buried and had the best library gossip ever. Plus, it went back decades. Yet, she wasn’t mean about it, but you know librarians are strange people and she embraced that fact with love. She liked men and mentioned the rare handsome guys in the system. She handed out compliments in bushels but did not suffer fools or foolish patrons. When you saw the name Sever on the schedule you knew you were in for a good time. In times like this it is common that we speak about those who we are mourning in glowing terms but in this case these paltry words don’t quite make it. I think of the words of the Jewish poet

'Tis a Fearful Thing By Chaim Stern

‘Tis a fearful thing to love what death can touch…

  For your life has lived in me, 

your laugh once lifted me, 

your word was gift to me. 

To remember this brings painful joy. 

‘Tis a human thing, love, a holy thing, to love what death has touched.